Ubaid
Ullah Ahmed

Equipment — medium format for stills, cinema glass for motion, and a documentary kit that covers everything between.

6bodies
11lenses
4sensor formats
14–200mm covered
Focal coverage14–200mm, unbroken
  • 14–24mm f/2.8
  • 19mm f/2
  • 24–70mm f/2.8
  • 33mm f/2
  • 35mm f/1.4
  • 35mm f/1.4
  • 35–100mm f/2.8–4
  • 50mm f/1.2
  • 50mm f/1.4
  • 70–200mm f/2.8
  • 85mm f/1.4
HasselbladHasselblad X2D II 100CX2D II 100C — Medium format
Stills where the file has to hold up — campaign, editorial, product.
  • XCD 35–100E35–100mm · f/2.8–4
SonySony FX3FX3 — Full frame · Cinema line
Motion. The body most of the film work is shot on.
  • FE 24–70mm GM II24–70mm · f/2.8
  • FE 35mm GM35mm · f/1.4
NikonNikon D850D850 — Full frame · DSLR
The documentary and portrait kit. Widest focal spread of any system here.
  • AF-S 14–24mm f/2.8G ED14–24mm · f/2.8
  • AF-S 70–200mm f/2.8G ED VR II70–200mm · f/2.8
  • AF-S 85mm f/1.4G85mm · f/1.4
  • Nikkor 50mm f/1.2 AI-S50mm · f/1.2 · Manual focus
  • Sigma 35mm f/1.4 DG HSM Art35mm · f/1.4
  • Sigma 50mm f/1.4 DG HSM Art50mm · f/1.4
FujifilmFujifilm X100 VIX100 VI — APS-C · Fixed 23mm f/2
The camera that comes everywhere. Converters change the field of view without changing bodies.
  • Fujinon TCL-X100 II33mm · f/2 · Tele converter · 50mm equiv.
  • Fujinon WCL-X100 II19mm · f/2 · Wide converter · 28mm equiv.
DJIDJI Osmo Pocket 4POsmo Pocket 4P — Gimbal
Stabilised pickup shots and behind-the-scenes.
Fixed lens — no interchangeable glass.
Insta360X5 — 360
Full-sphere capture for reframing in the edit.
Fixed lens — no interchangeable glass.

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